After this summer, I know two things for sure: if you truly want something, it is yours to have, and also remain flexible, because you’ll never know where this world will take you. With a positive mindset and a good amount of stubbornness, I have no doubt that you can turn life’s unfortunate events into dreams. I had heard an artist say before that the most important thing to them was to “craft their life” and not just let it play. Being humans, we are creatures of habit and without a little bit of creativity or curiosity, we find ourselves stuck. Always question, always challenge, and always grow…for not all those who wander are lost.
“Now that he was safe from the world outside he was being attacked from within his own head.” – Cal by Bernard Maclaverty, p.106.
The art process is very vulnerable and uncertain. Much of the time that I spend working alone is filled with doubts and negativity from my mind. Art involves so much self criticism that one become less bothered by others expectations. One of the things my professor tells students is to not forget what you do well. As a group, we spend more time attempting to perfect that which is already perfect. Let your mind rest and enjoy your days.
Traveling aboard has shown me a different side of drinking culture. In many parts of the states, going to bars is all about getting trashed and remembering bits of your night. Here in Ireland, I see something much different. Sure there are drunkards roaming in the wee hours of the night and plenty of tourist who have one drink too many; however, the pub culture here is about community, socializing, and entertainment. Pub life is less about drinks and getting trashed, but more about the relationship we have with one another.
This month, I’ve been traveling along the coasts in Ireland. In learning about the culture and history of this country, I’ve realized that the world and stories of the dead never leave new generations. Every generation reforms the traditions of the past and it is only through understanding that history that we are able to take full advantage of the present. #irishturtle
Graphite, vine charcoal, and oil pastel on light green conte paper.
Although everyone experiences rock bottom emotionally at some point, I think it’s important to remember three time frames. The past is that which remains unchanged. Remaining in it’s suffocating embrace, weakens the spirit and mind. The present is that which remains in process, creating the future that is always ready for you to take charge. Sometimes we have to move away from our pasts, in hopes that our futures will seem like dreams.
This is a charcoal piece from my first year in undergrad. We were asked to complete a self portrait using our own personal items. This piece speaks to the fact that many of us are comprised of multiple layers, making us unique, dynamic and quite confusing sometimes. I find that there is beauty in mystery and complexity, but I also understand that it’s okay to let down some walls. Remaining guarded is no way to live life fully. I wish to die with memories, not hopes, dreams, and aspirations.
This was a piece I created for a design course, entitled:Dualität. We gathered images surrounding a particular theme, created a gray scaled collage, sketched out the image on another sheet, and painted with acrylic. This was a very long process, but it helped in the development of thoughts.
I created a piece that juxtaposes two lifestyles of these women: the life of bubbles, flowers, fruit, and kittens versus that of rocks, snakes, pills, and alcohol. Although tedious, I enjoyed printing, cutting, sizing, and pasting every object or element in this piece. In fact, it is the process of thinking, crafting, and revising that I love the most-even more than the final piece.
This was an early piece made from toned paper and charcoal. What I love most about this piece was the strong shadows and how challenging my point of view was. I actual sat on the concrete floors of the studio for weeks just at the edge of a table holding these objects. We have a monk looking towards the heavens, fruit peeking over the edge of a bowl to greet us, and the active wings of Nike. For me, this piece sings of an eventful moment, almost foreshadowing it.
After some classes in Drawing Fundamentals, I took a strong interest in observing for accuracy. It takes a good amount of effort to shut of the symbolic brain and draw what I actually see rather than what I think I see.
For example, drawing a piece of paper on a table is difficult. The reason for this being because your brain wants to make a square or rectangle, when its actual shape is some weird, angular four sided object.