This month, I’ve been traveling along the coasts in Ireland. In learning about the culture and history of this country, I’ve realized that the world and stories of the dead never leave new generations. Every generation reforms the traditions of the past and it is only through understanding that history that we are able to take full advantage of the present. #irishturtle
Graphite, vine charcoal, and oil pastel on light green conte paper.
Although everyone experiences rock bottom emotionally at some point, I think it’s important to remember three time frames. The past is that which remains unchanged. Remaining in it’s suffocating embrace, weakens the spirit and mind. The present is that which remains in process, creating the future that is always ready for you to take charge. Sometimes we have to move away from our pasts, in hopes that our futures will seem like dreams.
This is a charcoal piece from my first year in undergrad. We were asked to complete a self portrait using our own personal items. This piece speaks to the fact that many of us are comprised of multiple layers, making us unique, dynamic and quite confusing sometimes. I find that there is beauty in mystery and complexity, but I also understand that it’s okay to let down some walls. Remaining guarded is no way to live life fully. I wish to die with memories, not hopes, dreams, and aspirations.
This piece is a part of a series of “Doodles” which I use to play with movement, weight, and patterns. I usually will draw one once a month, as a warm up technique. I use a black sharpie and a blank piece of computer paper and allow these shapes to take form. This is a good technique for the imagination and to get creative flow. Additionally, each piece in this “Doodle” series is inspired by a speech or public conversation.