After this summer, I know two things for sure: if you truly want something, it is yours to have, and also remain flexible, because you’ll never know where this world will take you. With a positive mindset and a good amount of stubbornness, I have no doubt that you can turn life’s unfortunate events into dreams. I had heard an artist say before that the most important thing to them was to “craft their life” and not just let it play. Being humans, we are creatures of habit and without a little bit of creativity or curiosity, we find ourselves stuck. Always question, always challenge, and always grow…for not all those who wander are lost.
Traveling aboard has shown me a different side of drinking culture. In many parts of the states, going to bars is all about getting trashed and remembering bits of your night. Here in Ireland, I see something much different. Sure there are drunkards roaming in the wee hours of the night and plenty of tourist who have one drink too many; however, the pub culture here is about community, socializing, and entertainment. Pub life is less about drinks and getting trashed, but more about the relationship we have with one another.
This month, I’ve been traveling along the coasts in Ireland. In learning about the culture and history of this country, I’ve realized that the world and stories of the dead never leave new generations. Every generation reforms the traditions of the past and it is only through understanding that history that we are able to take full advantage of the present. #irishturtle
Although everyone experiences rock bottom emotionally at some point, I think it’s important to remember three time frames. The past is that which remains unchanged. Remaining in it’s suffocating embrace, weakens the spirit and mind. The present is that which remains in process, creating the future that is always ready for you to take charge. Sometimes we have to move away from our pasts, in hopes that our futures will seem like dreams.
Today, I was completing a reading (The Secret History by D. Tartt) given to me by one of my closet professors. The most recent section reminded me about our relationship to ourselves: strongly referencing this idea of mindfulness. You will find that you spend a lot of time contemplating or in conversation with yourself. Some people might find this annoying, but I think it’s worth while to build a strong relationship with the only person who can truly know and understand how you feel and what you mean. Spend some time with yourself today!
Lately I’ve been working with the theme of decay. My first encounter with the word made me invision gross subject matter, but after much reflection I’ve internalized what it means to me. This painting was a result of viewing the beauty in decay. It is subtle, quiet, and intertwined. It is apart of a living process…
Today I completed a figure drawing and for the first time in a while I said to myself, “Wow. I really like this.” I think it’s interesting how many people who don’t create assume that art comes naturally to certain people or that we aren’t so self critical. Artists are self critical by nature because that’s how we improve. This isn’t perfect but I like it.
This is a charcoal piece from my first year in undergrad. We were asked to complete a self portrait using our own personal items. This piece speaks to the fact that many of us are comprised of multiple layers, making us unique, dynamic and quite confusing sometimes. I find that there is beauty in mystery and complexity, but I also understand that it’s okay to let down some walls. Remaining guarded is no way to live life fully. I wish to die with memories, not hopes, dreams, and aspirations.
This piece resulted from a speech about a first hand experience during 9/11. I feel a great sense of peace and balance through this piece, which reflects some themes from the presenter. Although very organic, geometry keeps its form in order. Often times, I look at old work and just feel that something is missing. I may revisit this print sometime in the future an repost and update.
To help with this idea of how you know something is missing, I’ll explain my feeling more in depth. Upon review of this composition, I feel that it is significantly heavy in the top left portion, I wonder if I should have done more with the open shapes on the mid left or the right half, and it just seems as if there is a spark missing. Maybe one element should be added. I am not sure.